ANCIENT CORINTH AND EPIDAUROS: Guest Post by Sara Kras

Ancient Corinth, Greece. Temple of Apollo at Sunset

My friend and fellow children’s book writer Sara Kras recently arrived in Greece to begin a year's study for her Master's Degree. Here she shares some of her first impressions of Greece. Sara loves to travel and has contributed numerous articles to The Intrepid Tourist in the past. Sara's most recent book, Baby Boomer Reboot, is a fascinating account of the challenges she faced going back to college in her fifties. 

Ancient Corinth is a small inland village about three miles from the seaport town of Corinth.  Summer months are the most difficult time to find lodging in Greece, especially by the sea.  Because we had to make a last minute booking, I thought somewhere away from the sea might be available and I was right.  I called Pegasus Rooms in Ancient Corinth.  I was told there were no rooms available for a week, but they had an off-site apartment called Acrocorinth Apartments. 

The owner told us the rate would be 60 euros per night including breakfast.  The apartment was surrounded by the owner’s vineyards and olive tree groves, supposedly a quiet farmer’s cottage.  Unfortunately, immediately to our right lived a very noisy Greek family.  The noise came and went in waves.  We knew we had to stick it out because we had nowhere else to go.  Not everyone felt the same way.  We saw an older couple on the other side of us leave early on a Sunday morning.  This was because the patriarch of the noisy Greek family decided to rev his motorcycle very loud for several hours.  We handled the noise by exploring the surrounding area, which took us to the ancient ruins of Corinth and to the very well-preserved amphitheater in Epidauros. 

Our apartment in Ancient Corinth.

Located on the Isthmus of Corinth, Ancient Corinth had the unique position of being literally the midway point between Athens and Sparta, two warring city-states.  Ancient Corinth was founded in 8^th century BC.  However, it reached its peak in the 7^th and 6^th centuries BC.  The Temple of Apollo dominates the town and still does today. 

Surrounding the ruins at Ancient Corinth is a cute village with restaurants, tourist shops, and traditional food markets.  Our favorite restaurant in Ancient Corinth was Marinos Restaurant.  We ate there every night for a week and the food was consistently delicious.

The ruins are not a large complex.  It takes about an hour or two to see it all.  Once you’ve walked through the entire ruin, you exit by the ancient marble walkway.  There’s a profound reverence this walkway inspires.  How many people walked on this marble walkway since the 8^th century BC?  You can just imagine each person carrying their concerns, worries, and joys as they trod upon the walkway leaving a miniscule imprint of their bare feet or soles of their shoes.

There’s also an interesting museum connected with the site, which is a common theme at most ancient ruins in Greece.  This museum featured carvings of the mythological battles of Gods and men against the centaurs and Amazon women.

Temple of Apollo during the day.

Marble walkway of Ancient Corinth.

Carving of soldier fighting an Amazon. 

(Notice her outfit of a dress with half her chest covered and the rest exposed.  This appeared to be the only outfit the Amazons wore into battle per the many carvings we viewed.)

After seeing the ruins in Ancient Corinth, we decided to take an hour road trip to Epidauros to see the Epidauros Theater, a UNESCO World Heritage site.  This magnificent marble theater was built around 330 to 320 BC.  It seats up to 14,000. Greek plays are still performed there today and a schedule of shows was posted at the site. The acoustics are still very spectacular. Tourists below sang or clapped so those above could hear them.

Just like Ancient Corinth, there was a small museum as part of the ruin complex.

Sara standing in front of the theater

The gorgeous view from one of the top seats!

There are so many ruins and places to see in Greece, it’s hard to choose.  But if you find yourself in Corinth or the Peloponnese, these two sights are worth the visit.

SPRINGTIME IN SICILY, Part 3: Catania, Piazza Armerina, Agrigento and Mount Etna

Catania, Sicily. View from the rooftop patio of the Crociferi BandB.

At the end of May, Art and I took a two week trip to Sicily, staying in Palermo, Erice and Catania, and taking day trips to the ancient Greek ruins at Selinunte, Segesta and Agrigento and to the ancient Roman villa filled with mosaics at Piazza Armerina. The weather was warm, but not hot, and hillsides were covered with a host of wild flowers.  Here is the third of several reports of our trip.
 
For the last part of our trip to Sicily we were based in Catania, on the island’s east coast, traveling there by train from Palermo. We stayed in the Band B Crociferi, where we had the top floor suite with our own private patio and a stunning view of the city. (Climbing the stairs from the ground floor helped keep us fit for walking around the city!)

World War II Museum, Catania.Under the command of U.S. General George Patton and British General Bernard Montgomery, American, British and Canadian forces invaded Italy from North Africa on July 9, 1943. In just 38 days they had conquered all of Sicily.

During our first week in Sicily, the weather had been near perfect–sunny, blue skies and temperatures in the low seventies. But when we woke up on our first morning in Catania, the sky was grey and wet. We decided to head for the Museum of the Allied Landings in Sicily near the train and bus station, about a 20 minute walk in a light rain. The entire museum is dedicated to the American invasion of Sicily in 1943, which gave the Allies a foothold in Europe, ultimately leading to the end of the war. The first room of the museum is a recreation of a WW II Italian village and a docent gave an introduction to the museum (in Italian–we got a printout in English.) She then herded us into a dark bomb shelter where we sat on shaking benches while listening to the sound of bombs exploding (like a Disneyland ride) so we could experience what it would have been like to be in Sicily at the time.

Life size diorama of the signing of the armistice between Italy and the Allies, September 13, 1943

From there we made our way on our own through two floors of exhibits containing displays of photos, newspaper headlines, uniforms, letters, equipment, plus life-size dioramas--a meeting of Churchill and Roosevelt, signing of the Italian surrender, a Red Cross hospital tent, the inside of a bunker, and more. While most labels were only in Italian, each room had a panel of information translated into English.

Contact sheets of photos taken by Phil Stern of the Sicily campaign.

On the ground floor we discovered an exhibit of stunning photos by American photographer Phil Stern, who had landed with the troops. At age 93 (in 2013) he returned for the inauguration of the exhibit of his Sicily photos, now a permanent part of the museum.

Mosaics at Villa Romana de Casale in Piazza Armerina. The excellent condition of the mosaics is due to a landslide that sealed off the area for 600 years and protected the art. Excavations began in the 1930s. It is the largest collection of Roman floor mosaics ever found in situ. It is a World Heritage Site.

Before our trip we made the decision that we wouldn’t drive in Sicily, even though we typically rent a car when we go on vacation. But the reputation of crazy Italian drivers and the narrow cobblestone streets, built long before cars were ever invented, convinced us that we would be happier having someone else behind the wheel. So we arranged for a small group tour (there was only one other couple) to go to Piazza Armerina and Agrigento. Our guide, Carlo, was an excellent driver.

The most famous room at the Villa Romana shows “bikini girls”–female figures dressed for physical exercise.

We headed first to Piazza Armerina and the Villa Romana de Casale, nestled at the bottom of a valley about three miles from the town. Built in about A.D, 300 by a powerful Roman magistrate, its many spacious rooms are filled with lavish mosaics of people, animals, flowers, plants, that seem to go on forever as you make your way around the elevated walkways for a birds-eye view of the rooms. One long hallway is filled with depictions of animals from Africa, which were captured and brought to Sicily on their way to the Coliseum on Rome.

Lunch in the old town of Piazza Armerina

For lunch Carlo took us to a small wine shop, Siciliartegusto, in the old part of Piazza Armerina, where a Sicilian “snack” had been prepared for us–cold cuts, cheese, bread, focaccia, and arancini (a kind of filled rice croquette) along with red wine from grapes grown on the slopes of Mount Etna.

Agrigento. Temple of Concordia. Built in 435 B.C., this is one of the best preserved Greek temples in the world. A workman inside reveals the grand scale of the temple.

From Piazza Armerina it was about an hour and a half drive to Agrigento, another World Heritage Site, to see the Greek temple ruins. Called the Valley of the Temples, the ruins are actually on a hill and spread over many acres.

Temple of Juno. Yellow genestra flowers grow wild all over Sicily.

Carlo let us off at the highest point of the archeological park, and we walked downhill from there to meet him at another parking area at the other end. On our way we passed Greek ruins in various states of repair, early Christian burial caves, the house of English archeologist Alexander Hardcastle, and a herd of goats, a breed unique to Sicily.

As we walked across the loose lava it felt like a combination of moonscape and miracle of life, as we stepped around tiny plants taking a foothold in the mineral rich lava. (Note the tiny figures on the far rim.)

The next morning we went on another small group tour, this time to Mount Etna. Marco was our driver and guide. We stopped to pick up lunch food in the town of Zafferena, and then went to the north side of the mountain–which according to Marco had better weather and was less crowded. We took a relatively short walk to climb one of the cinder cones, then stopped to see where a recent lava flow had engulfed a hotel, and finally, after eating our picnic lunch, toured a lava cave.

Interior of Chiesa di San Francesco Borgia on Via Crociferi

Our last day in Sicily was devoted to sightseeing in Catania. On our way down Via Crociferi (a Unesco Heritage site, named for the several churches that line the street), we stopped at the Chiesa di San Francesco Borgia to see a display of liturgical silver and to admire the complex colored marble inlay of the walls, floors, altars, etc.--the Baroque version of Byzantine mosaics--and the soaring painting on the inside of the dome.

The elephant with an Egyptian obelisk on its back is the symbol of Catania. It sits at the center of Piazza del Duomo.

From there we went to the piazza in front of the Duomo and took a brief look at the cathedral--all white stone on the inside..

Dried beans and nuts at the Catania fish market.

After a wander through the fish and produce market, we headed to the Teatro Romano, a Greek open air theater rebuilt in Roman times and which includes the renovation of a 19th century house that had been incorporated into one of the ancient walls.

Teatro Romano with the bell towers of the Duoma visible behind.

Then, after a pizza lunch at an outdoor café, we walked up the main street, Via Etna, looking for souvenirs at the market stalls along the side streets–buying some pistachio paste, saffron marmalade and a small ceramic box.

Fruit stand with oranges and pomegranates at Piazza Mazzini. On one corner is an outdoor cafe, Trattoria Enoteca, where we ate lunch under the colonnade.

In our two weeks in Sicily we got a taste of its many layers of history, the variety of its landscape, and, of course, the wealth of its delicious food. As our plane took off from the Catania airport as we headed home, we got a good view of Mount Etna towering over the city. Just three days later, the top of Etna erupted, spewing fiery lava into the air. In some ways, we wished we had been there  to see it in person. But in other ways we were glad we were safe back in Los Angeles.

Mount Etna, May 28, 2019.  Smoke is hovering over the crater and patches of snow from the previous winter still cling to its sides.

SPRINGTIME IN SICILY, Part 2: Erice, Selinunte and Segusta

Selinunte, Sicily. Acanthus flowers grow among the ruins of Temple C on the Acropolis of the ancient Greek city of Selinunte. Their leaves inspired the design of the tops of the Corinthian columns.

At the end of May Art and I took a two week trip to Sicily, staying in Palermo, Erice and Catania, and taking day trips to the ancient Greek ruins at Selinunte, Segesta and Agrigento and to the ancient Roman villa filled with mosaics at Piazza Armerina. The weather was warm, but not hot, and hillsides were covered with a host of wildflowers.  Here is the second of several reports of our trip.

Rooftops and cobbled street in Erice.

After three days in Palermo, our next five nights were spent in the tiny hilltop town of Erice, about an hour and a half drive from the Palermo airport. The narrow cobbled streets, Norman castle, and old churches make you feel as if you have been transported in time to the Middle Ages–when Erice was a thriving center on Sicily’s west coast.

Erice. The Norman castle known as the Castle of Venus, built on the site of a 7th C. BC temple, was later converted to the Temple of Venus by the ancient Romans. The castle was a stronghold in the Middle Ages. Now it is an archeological site.

Today Erice is largely a tourist destination and the coastal town of Trapani below is the larger population center. Erice is the home of the Ettore Majorana Foundation, which was sponsoring a scientific conference that my husband Art was attending and the reason for our trip to Sicily. While Art was at his meetings I joined the tourists and wandered the streets, exploring the castle and other historic buildings and browsing in the shops along the main street. (Erice is small–one can walk around the whole town in an hour.)

The trinacria, an image with a face in the center and three bent legs, is the ancient symbol of Sicily. Here is a terracotta version. Red glazed pottery is typical of the region.

The shops were full of local crafts–colorful rugs and pottery–and typical foods such as the curly busiati pasta, salt harvested from the shallow salt pans in Trapani and sweets for which Erice is famous.

Colorful cotton rag rugs are a typical craft of Erice.

While most visitors to Erice are day trippers, either riding the cable car from Trapani or driving up the windy road to park outside the Erice town gate, there are a few hotels. We stayed in rooms provided by the conference center.

Queen Anne's Lace growing above the castle walls.

By evening the streets are mostly empty and on several nights that we were there the mist moved in from the sea creating a ghostly feel as the cool, moist air slid through the narrow streets. 

Selinunte, Temple E. This temple was reconstructed in the 1950s and is one of the few of the Greek ruins in Sicily that you can walk around and experience from the inside.

The last day of Art’s conference was an organized bus trip from Erice to the ancient Greek ruins at Selinunte and Segesta. Selinunte, about an hour’s drive from Erice on Sicily's south coast, was once a thriving Greek city covering 250 acres. Originally established in 638 B.C. by the Greeks, then taken over by the Carthaginians, it was abandoned after the Romans took over Sicily around 200 B.C. Today Selinunte is an archeological park, with piles of pieces from collapsed buildings, and one reconstructed temple where you can walk around the interior (unlike temples at other sites in Sicily) and imagine what it might have been like to live in ancient times.

The modern seaside town of Selinunte, viewed from the archeological site.

Following paths lined with spring wild flowers, we explored the ruins, then went into town for a delicious lunch of risotto, pasta, seafood and fresh fruit at a restaurant overlooking the beach.

Ancient Greek temple at Segesta.

After lunch, we got back on the bus to drive to Segesta to see another Greek temple, this one perched high on a hill overlooking a gorge, and to see an amphitheater at the top of an adjacent hill. The temple was never finished (the columns are unfluted) and one view by historians is that it was built to impress a visiting delegation from Athens and then abandoned after they left.

Ancient Greek theater at Segesta. It is known for its excellent acoustics.

An alternative to the long walk up the hill to the site of amphitheater is a small shuttle bus, which we took. We walked back down, enjoying the late afternoon sun that highlighted the temple and the roadside flowers.

Several varieties of thistle are common in Sicily.

On our way back to Erice for our last night on Sicily's west coast, we enjoyed the views of rolling farmland and of the seaside below as the bus wound its way up to the top of the hill.

Sicilian countryside. View from Erice.

The following morning we headed back to Palermo and caught a train to Catania for five days on Sicily's east coast.

THE GETTY VILLA, Malibu, CA: Ancient Art in a Spectacular Setting

Entry to the Getty Villa, Malibu, CA

Ever since I studied Latin in high school, I have been intrigued by ancient Roman culture. The Getty Villa in Malibu brings back fond memories of the scale model of a Roman villa that I once made as an extra credit project in ninth grade. Just like the Getty Villa, my model had colonnades or peristyles, reflecting pools, and atria with doorways opening into adjacent rooms and workshops, which I filled with tiny furniture and tools. The difference is that at the Getty Villa the rooms have been organized into 23 galleries filled with over 1,200 pieces of amazing Roman and Greek antiquities ranging from life-size marble statues, painted pottery and glass, to jewelry, mosaics, ancient tools and more. Organized thematically, they help one imagine what life was like two millennia ago.

Walkway in the Outer Peristyle. The design of the Getty Villa is modeled on the Villa dei Papiri, a wealthy Roman country home that was buried when Mt. Vesuvius had erupted in 79 A.D.

Earlier this summer I visited the Getty Villa with my family. (I had gotten tickets–which are free–ahead of time at the Getty site on the web.) As we entered at the parking level, a docent recommended that we enter the museum through the herb garden (filled with meticulously cared for herbs, vegetables, and fruit trees) and then watch the short introductory video before touring the galleries.

Statue in the Inner Peristyle

The video gives an overview of J. Paul Getty, his art collection, and the building of the villa. As my granddaughter explained, “Getty built the museum because he had so much art that it didn’t fit in his house any more.” (In the early days, Getty opened his home a few days a week for visitors to view his art.) Even after the villa opened as a museum in 1974, there was still not enough room for Getty’s growing collection, which included not only antiquities, but paintings, furniture and other art. Many of these are now on view at the Getty Center in Brentwood. The Getty Villa is dedicated to the arts and cultures of ancient Greece, Rome and Etruria.

Getty Kouros

We started our visit in the room with paintings and sculptures of Roman and Greek gods and goddesses. I learned that Dionysos (Greek) or Bacchus (Roman) played an important role in many aspects of life. We then proceeded to rooms displaying mythological heroes, women and children, men in antiquity and more. In the center of one room is an over-life-size statue Getty bought in 1985.  Known as a type of statue called a kouros, it depicts a standing nude youth and is intended to represent the idea of youth. Despite detailed analysis, its history remains a mystery.

My favorite gallery was the one that depicted animals including elaborately carved marble bears and vases with delicately drawn birds and beasts.

The Cafe has tables both inside and out.

We had a delicious lunch in the museum Café, sitting outside on the deck with a view of the museum and adjacent hills. Afterward, we browsed in the excellent gift shop below.

Painted ceiling at entry to Inner Peristyle

No matter where we looked, every detail of the Villa was carefully planned--from the designs painted on walls and ceilings, to the marble floors, garden alcoves and placement of windows that framed views of the gardens. Nestled in a canyon in the hills above the Pacific coast, the Villa has a spectacular view of the Pacific Ocean.


With a landscape and climate not unlike that of Italy, the Getty Villa is a place where one can imagine, if just for a moment, time traveling to an ancient world.

Flowering artichoke in the herb garden. Other typical Mediterranean plants fill the garden.

MIRO and More at the NASHER MUSEUM OF ART at Duke University, Durham, NC

Miro Exhibit, Nasher Museum of Art, Durham, North Carolina

Brilliantly playful, graphic paintings in bright primary colors are the hallmark of Joan Miro, the great innovative Spanish painter of the twentieth century. Fifty-one of his late works–from 1963 to 1981- are currently on exhibit at the Nasher Museum of Art on the campus of Duke University in Durham, North Carolina. The exhibit, Miro: The Experience of Seeing, are from the Reina Sofia Museum in Madrid. It includes paintings, both big and small, and sculptures, many made from found materials such as rakes and toasting forks, and others cast from molds made of sand. A recurring theme in both the paintings and the sculptures is a woman with a bird, but there are also landscapes and other figurative compositions, although greatly abstracted and dreamlike in effect. In all of them, the viewer is invited to engage in the art and interpret it individually.

A tall figurative sculpture stands outside the entrance to the Miro Exhibit.

I recently had a chance to see the Miro exhibit with my family while visiting in North Carolina.  The Nasher museum sits on a wooded hill and is organized around a large covered atrium whose geometric glass ceiling allows the open space to fill with warmth and light. Around the courtyard are three galleries, a gift shop, café (where we ate a delicious lunch, choosing from items with a Catalan theme) and an auditorium.

Skylights allow light and shadows to move across the walls of the museum

Miro was a contemporary of Picasso and the Surrealists, and his work spans a broad period from the 1920's to his death in 1983 at the age of 90. Born in Barcelona, he lived for a long time in France before returning to Spain during World War II. In 1956 he moved permanently to the island of Mallorca, which is where the works in this exhibit were created. Click HERE for a timeline of Miro’s life.
The Miro exhibit will be on view through February 22, 2015. Click HERE for examples of some of the art in the exhibition.

Entrance to the Rauschenberg Exhibit

The Miro exhibit fills one gallery of the museum. In the other galleries are exhibits of works from the collection of Robert Rauschenberg and selected works from the permanent collection of the museum. The combination of the Miro art and the Rauschenberg collection makes an interesting pair. In both exhibits the viewer is asked to consider similar questions:  what is art? what is the meaning of art? how do we see? what is my relationship to this piece of art?

Ancient Greek Vase

In the gallery with items from the permanent collection we focused on the area devoted to antiquities, especially some amazing Greek vases decorated with incredibly realistic and beautifully drawn figures. Altogether, our trip to the Nasher Museum of Art made for a very stimulating and thought provoking family outing. Our imagination was definitely fertilized.

“Two and two do not make four. Only accountants think that. But that is not enough: a painting must make this clear; it must fertilize the imagination.” Joan Miro, 1959