CANARY ISLANDS NATURE TOUR, Part 2: Guest Post by Susan Kean

 

View from the top of crater over to Las Palmas. Canary Islands.

My friend Susan Kean and her partner George recently toured the Canary Islands on a nature tour. I thank her for sharing her impressions and terrific photos with The Intrepid Tourist.

Today’s adventure in the Gran Canaria was learning about their indigenous people and checking out the main volcanic crater on the island. Relevant to today’s times, the Canary Island folks were very grateful to the CIA who gave them a heads up in 1971 about an impending earthquake. In those days Spain had no earthquake prediction systems and the CIA were in the Atlantic and observed some activity. This early warning helped save lives.

Cave. (Note tiny cars on lower right for scale.)

It is believed that the earliest people came to Gran Canaria in the 3rd Century. They were from North Africa, similar to the Berbers in Morocco. It is not known how they got there but they may have been brought by the Romans. 

Skeleton.

The early people came prepared--bringing seeds, animals, everything they needed for existence. They lived in caves, similar to those of some indigenous people in the North America.

We had a Tapas lunch in a cave restaurant. Our restaurant was in a cave dug into the hillside.

Center statue is a model of an indigenous statue found on a hillside.

The last day of our Nature Trek trip to Gran Canaria was spent near our hotel at Valley Agaete Necropolis where we learned how the indigenous people buried their dead in raised stone tombs because it was impossible to dig graves in the lava rock. This was during 7th to 11th century.

Stone tomb.

We also had a wonderful time wine tasting and lunch at Finca La Laja farm where they grow coffee, grapes, all kinds of citrus, bananas and every fruit you can think of--almost. The climate is a bit cooler than California and has more rain.

Winery at Finca La Laia.

Opuntia.

Opuntia (prickly pear cactus) was imported from America to grow the cochineal insect to produce red coloring. The cactus is everywhere now.

Feral cats.

Ferry approaching the pier in small harbor near our hotel. I found the lava cliffs coming down to the ocean spooky. 

Part 1 of Susan's trip to the Canary Islands posted last week, May 26, 2025. Part 3 will post next week, June 9, 2025.

SANGRE DE NOPAL/BLOOD OF THE NOPAL: Exhibit at the Fowler Museum, UCLA, Los Angeles, CA

Sangre de Nopal exhibit at the Fowler Museum, UCLA.

One of my favorite museums in Los Angles is the Fowler Museum on the campus of UCLA, with its focus on art and material culture, primarily from Asia, Africa, and the Pacific, as well as the Americas. In mid-December I made an excursion to the Fowler to do some holiday shopping in its excellent gift shop, and while I was there made a quick visit to the exhibit Sangre de Nopal/Blood of the Nopal: Tanya Aquiniga and PorfirioGutierrez en Conversacion/in Conversation, which is on view in one of the four museum galleries. While we were there we saw two groups of school children who had come to see the exhibit and participate in the hands-on displays.

Somos una tela continue (We are a continuous cloth), 2023 by Tanya Aquiniga, 2023. Found objects and stones from the Los Angeles River, low-fired terra cotta, cotton dyed with terracotta, and cotton rope.

The exhibit features fiber artists Tanya Aquiniga and Porfirio Gutierrez as well as Oaxacan textiles from the Fowler Museum collection. 

Oaxacan textiles from the Fowler collection. Installation inspired by the temporary devotional structures called Lis Dxan erected during Holy Week in Zapotecan communities.

Here are some of the items on display.

Somos Mujeres (We Are Women) by Tanya Aquiniga, 2024. Terra cotta, nickel, epoxy, cochineal dye, cochineal insects, cotton rope. 

Nopal by Tanya Aquiniga, 2017. Abaca pulp, clay, alpaca, flax, succulents, iron, horsehair, cochineal, copper, gold, human hair.

Emotional Body by Tanya Aquiliga, 2023. Cotton rope and low-fire terra cotta. Video.

Detail of Emotional Body.

Sangre de Nopal/Blood of the Nopal: Tanya Aguiñiga & Porfirio Gutiérrez en Conversación/in Conversation is organized by the Museum of Contemporary Art Santa Barbara and developed in collaboration with the Fowler Museum at UCLA. It is a multi-site project offering an expanded understanding of the scientific and Indigenous origins of cochineal, a red dye developed by the Zapotec peoples.

What is cochineal?

First cultivated by the Zapotec peoples around 500 B.C., cochineal is derived from an insect that lives on the opuntia (prickly pear) cactus. Its chemical ingenuity, stability, and chromatic intensity changed the course of art around the world. Despite the global scale and impact of cochineal, its spiritual, medicinal, and technical origins within Indigenous Mexican communities remain little understood. Sangre de Nopal offers a case study in multi-generational innovation, acknowledging the scientific knowledge and cultural heritage embedded in the cultivation of cochineal. (From the Fowler Museum website.)

The exhibit will be on view at the Fowler until January 12, 2025. I am glad I got to see it before it closes.

Entrance to Fowler Museum of Cultural History, UCLA