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| Stone Enclosure: Rock Rings by Nancy Holt. Western Washington University sculpture collection, Bellingham, WA. |
At Western Washington University in Bellingham,
Washington, giant sculptures occupy the campus from one end to the other. It is
one of the most notable university art collections in the country. It features
works from the late 20th century to the present, ranging from
massive to delicate, functional to inspirational, industrial to organic, conceptual to humorous, complex to deceptively simple. A huge variety. They are constructed of stone, metal, wood, cement and other materials.
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| Mark di Suvero (b. 1933), For Handel (pictured),
1975. Painted steel; 27’ h. and Mindseye, 1978. Steel. For Handel was created specifically for the Performing Arts Plaza and dedicated to the 18th Century composer George Frederic Handel. |
. In mid-July I visited the Western Washington
University campus with my family, taking a self-guided tour of the art following a map and brochure we had downloaded from the art department website. Most of the
sculptures are outdoors, although a few are inside buildings. The tour also
included the art galleries in the Performing Arts Center--on one side an exhibit of a series of Alexander Calder tapestries and on the other, of paintings by Northwest artists. (Through the art gallery windows to
the west is a magnificent view of the Bellingham harbor.)
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| A series of 13 tapestries by the sculptor Alexander
Calder are presented near the left entrance to the
Concert Hall of the Performing Arts Center. |
We parked at the east end of the campus and then
worked our way west, more or less in numerical order. By the time we stopped
at each of the 31 pieces described in the brochure, it took us about two hours.
It was a cool, overcast day, not unusual weather for Bellingham, which made it
comfortable for walking and perfect for photography.
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| Beverly Pepper (1924-2020), Normanno Column,
1979-80. Cast iron; 102” h. x 11 1/4” w. x 11 1/4” d.
Normanno Wedge, 1980. Cast iron. |
Here are a selection of pieces that we saw. Most of the pieces in the collection are larger than life. I made a
point of including people (usually my brother Tom) in many of my photos to provide a sense of scale.  |
| Robert Morris (1931-2018), Untitled (Steam Work
for Bellingham), 1971; installed 1974. Rock with variable volume of steam. (Robert Morris was my sculpture teacher when I was in art school.) |
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| Do Ho Suh (b. 1962), Cause and Effect, 2012.
Cast resin and stainless steel. Hundreds of tiny figures, connected feet to shoulder, make up this hanging sculpture. |
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| Bruce Nauman (b. 1941), Stadium Piece, 1998-99.
Concrete. |
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| Tom Otterness (b. 1952), Feats of Strength, 1999.
Bronze. One of seven charming figures, each approx. 15” high |
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| Lloyd Hamrol (b. 1937), Log Ramps, 1974.
Reconstructed 1983 & 1995; Cedar. |
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| Richard Serra (b. 1939), Wright’s Triangle, 1979-80.
Corten steel |
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| Alice Aycock (b. 1946), The Islands of the Rose
Apple Tree Surrounded by the Oceans of the World
for You, Oh My Darling, 1987.
Water-filled cast concrete. |
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| Isamu Noguchi (1904-1988), Skyviewing Sculpture,
1969. Painted iron plates. |
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| Detail. Alexander Calder tapestry, 1974-75. Dyed and braided maguey fiber panel. Manufactured in Nicaragua. |
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| David Ireland (b. 1930), Bigger Big Chair, 2004-07.
Painted steel plates |
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| Anthony Caro (1924-2013), India, 1976. Steel, rusted
and varnished; |
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| James FitzGerald (1910-1973). Rain Forest, 1959;
installed 1960. Bronze fountain; |
I thank my sister-in-law, Karen Neely, for leading us on this excellent tour. If you want to find out more about any of the pieces in the tour, download the
Western Sculpture Garden brochure.
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